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Tuesday, February 20, 1990
Calvin is building a snowman. He tells Hobbes that any dumb kid can build a snowman, but it takes a genius like him to create art. He says his snow sculpture transcends corporeal likeness to express deeper truths about the human condition. His sculpture is about grief and suffering. He says one look at the tortured countenance of the figure confirms the artist has drunk deeply from the cup of life. He says his work will endure and will inspire future generations. As they stand there, the sun starts to melt the snowman.
Wednesday, February 21, 1990
Hobbes asks if Calvin is making more snow art, since his snowman melted the day before. Calvin tells him that this time, he's taking advantage of the medium's impermanence. This sculpture is about transience. As the snowman melts, it invites the viewer to contemplate the evanescence of life. It speaks to the horror of our own mortality. Someone yells that it's too warm to build a snowman, and they laugh at Calvin. Hobbes says there is a philistine on the sidewalk. Calvin says genius is never understood in its own time.
Thursday, February 22, 1990
Hobbes asks how Calvin's snow art is coming. Calvin says he's moved into abstraction. His piece is about the inadequacy of traditional imagery and symbols to convey meaning in today's world. By abandoning representationalism, he's free to express himself with pure form. Specific interpretation gives way to a more visceral response. Hobbes notices Calvin's oeuvre is monochromatic. Calvin replies that it's just snow.


